Today's Visitors
Nirmal Narayanan
(Mridangam)
Nirmal Narayan has been studying Carnatic music for over two decades. He learned to play the mridangam from Poovalar Srinivasan and is a disciple of Umayalpuram Sivaraman. Nirmal was a master artist in ACTA's Apprenticeship Program in 2012, with apprentice Chinmai Raman. The apprenticeship substantially increased Chinmai's improvisation skills on the mridangam, enabling him to lead Carnatic musicians at full-length concerts.
| Artist | Venue | Date |
|---|---|---|
 K. N. Shashikiran...(Vocal - Carnatic) Kiranavali Vidyashankar-Vocal - Ca S. Rajashree-Violin Nirmal Narayanan-Mridangam Dr. Ravi Balasubramanian-Ghatam | Sri Krishna Saras Hall | 26/12/2024 |
 Dr. B. Vijaya Gopal...(Flute - Carnatic) Kamalakiran Vinjumuri-Violin Nirmal Narayanan-Mridangam | Srikara Anjaneya Raghavendra Sannid | 19/12/2023 |
 Sunil R. Gargyan...(Vocal - Carnatic) Diliip K. J-Violin Nirmal Narayanan-Mridangam Madipakkam A. Murali-Ghatam | P.K.Mahal | 02/01/2020 |
 Dr. Sanjay Subramanian...(Vocal - Carnatic) Arun Ramamurthy-Violin Arun Ramamurthy-Violin Nirmal Narayanan-Mridangam | Sri Desika Vidhya Bhavanam | 28/12/2019 |
 Swathi Srikrishna...(Vocal - Carnatic) Thirucherai Karthik-Violin Nirmal Narayanan-Mridangam | Sri Desika Vidhya Bhavanam | 27/12/2019 |
 Akshra Samskriti Iyer...(Vocal - Carnatic) Priyamvadaa Sastri-Violin Nirmal Narayanan-Mridangam | Arkay Convention Center | 25/12/2019 |
 Aditya Prakash...(Vocal - Carnatic) Shreya Devnath-Violin Nirmal Narayanan-Mridangam | Kamakoti Hall - (Krishna Gana Sab | 25/12/2018 |
 Sandeep Narayan...(Vocal - Carnatic) Delhi P. Sunder Rajan-Violin Nirmal Narayanan-Mridangam G. Chandrasekar Sharma-Ghatam | YGP Auditorium | 13/12/2018 |
 Ananya Ashok...(Vocal - Carnatic) Vignesh Thyagarajan (Krishnamurthy)-Violin Nirmal Narayanan-Mridangam | Mylapore Fine Arts Club Hall - TAG | 13/12/2018 |
 Dr. Nanditha Ravi...(Vocal - Carnatic) Arushi Ramesh-Violin Nirmal Narayanan-Mridangam Trivandrum D. Rajagopal-Kanjira | Vidya Bharathi Kalyana Mandapam | 17/12/2017 |